Abstract
In this review I examine Angela J. Latham's autoethnographic performance piece Jesus Camp Queen, analyzing its exploration of questions of gender within the context of late twentieth-century conservative American Protestantism.
| Original language | American English |
|---|---|
| Pages (from-to) | 143-146 |
| Number of pages | 3 |
| Journal | Performance Matters |
| Volume | 3 |
| Issue number | 1 |
| State | Published - 2017 |